Popular Music in East and Southeast Asia: Sonic (under)Currents and Currencies

Preface

1. Rocking “Onward Singapore”: The Ethnopolitics of Singing a National Anthem
– Adil Johan

2. Defenders of the Faith: How Internet Bulletin Boards Gave Rise to the Taiwanese Extreme Metal Community
– Bartosz Czerwiński

3. Subversive, Still in the Middle Ground: CHAI’s Assertions and Male Discourse of Authenticity
– Chiharu Chujo

4. How Digital Technology Contributes to the Growth of Small Independent Record Companies in Hong Kong
– Edmond Tsang

5. Hitback: The Ballad as Venue for Political Protest in the Philippines
– Florentino A Iniego, Jr

6. Persona of A-Mei in Transition: Fan Identity and Identification
– Gui Ren（桂仁)

7. Seiko Matsuda’s Concert and the AI Singing of Hibari Misora
– Hiroshi Ogawa

8. K-Pop in Malaysian Popular Music Education: Yea or Nay?
– Hueyuen Choong

9. Post-Local Pop in the Post-Global Condition?: The Case of Korean Indie Rock From 2007 to 2019
– Hyunjoon Shin

10. The Introduction of American Folk Songs in South Korea and Japan: Focusing on YMCA and Rōon (Workers’ Music Association)
– Janghee Son

11. Burgerkill Plays Dayton: The Arrival of Indonesian Metal in Ohio
– Jeremy Wallach & Esther Clinton

12. Creating a Local Music Scene and Translocal Network: Taking DIY Label Qiii Snacks Records in Guangzhou, China as an Example
– Jianzhe Chen

13. Louder Than Hell: The Rise of Latinx and Native American Metal
– Luis Zapata

14. In Search of a Sonic Space by Asian Artists: Performance of Indonesian Expanded Cinema with Live Stereophonic Sound in Japan
– Madoka Fukuoka

15. Echoes of Times: A Study of Choral Arrangements of Taiwan Pop Songs
– Mali Liu

16. Gender Troubles in Japanese Popular Music Culture?: The Case of Female Idols from “Gay Town”
– Mana Kamioka

17. Popular Music and Fandom in the Smartphone Era
– Masae Yoshimitsu

18. Popularising Heritage and the Electronic Keyboard in Malaysia and Indonesia
– Mayco A. Santaella

19. Representing Masculinity Through the Wind: Historiography of China Wind and the Chinese Nation
– Na Li

20. Is “HINOMARU” a Patriotic Song?: From the Point of View of Reception
– Nene Taira

21. Music Heals: An Analysis of BTS’ Fan Song “Magic Shop”
– Nur Lina Anuar

22. “Malaysia Truly Asia”: A Nation-Branding Campaign Song Firmly Rooted in Multi-Ethnic Origins
– Shazlin Amir Hamzah

23. Trans-Pacific Trajectories of “China Nights”: From a Japanese Wartime Song to Memories of the Far East in the United States
– Shin Aoki

24. The “Modern” in Sundanese Music Broadcast over the Radio in the 1930s and 1940sShota Fukuoka
– Shota Fukuoka

25. The Aesthetics and DIY Ethics of DJs as Asian Music Collectors
– Taeyoon Kim & Haemin Ryu

26. Negotiating Musician Identities: Busking Musicians and YouTube Musicians in Hong Kong
– Vicky Ho

27. The Rise of the Godfather of Broken Hearts: The Disruption of Local Music’s Campursari Through Didi Kempot’s Music Performances
– Wahyudi Akmaliah

28. Research on the “Chinese Style” Works in the Field of Popular Music: A Case Study on Jay Chou’s Musical Works
– Xiaodan Zhang

29. Voicing the Muhibah Spirit Through Namewee’s Ali, Ahkao dan Muthu (2017)
– Xin Ying Ch’ng

Index